After gaining a BA (Hons) in Fine Art (Sculpture) at West Surrey College of Art and Design in Farnham,
Ruta Brown also studied silversmithing before setting up an independent jewellery studio.
Directly manipulating precious metals using hand tools and heat, Ruta Brown has developed a
comprehensive personal vocabulary of form and texture. This supports the creation of a distinctive
visual language that is expressed in a range of jewellery and small objects.
Drawn to the textural possibilities that can be achieved, Ruta Brown has specialized in the technique of reticulation. Directional heat is applied to forged,
folded forms, each piece individually fabricated, in exploration of the structural limits of the metal, mainly sterling silver with 18 carat gold as added
decoration. The results are a variety of intricate forms, often also incorporating stones and pearls, details evoking weathered fragments of flotsam, or
other marine elements from the shoreline.
Angela has been a member of the Hampshire Artists Cooperative since it's inception at the Selborne Gallery in 2007.
After training in ceramics at West Surrey College of Art & Design, Angela went to work at Milland Pottery, near Liphook where
she has developed a business around producing domestic earthenware pots and running sessions for all ages for people to gain an understanding
of the processes involved in making pots - both hand built and wheel thrown. Birthday parties, Hen parties and team building sessions are all
popular. Vouchers for the sessions are available.
Her pots are produced on the potter's wheel using red earthenware clay and decorated with coloured slips under a transparent or matt glaze.
Different methods of applying the slips are used, from simple brush strokes to paper resist and slip trailing, sponge printing and 'splatting'.
The functional wares have a transparent glaze, which means the pots are oven proof and dish washer safe. Recent pots are decorated with slip and
then burnished, parts of the pots are glazed so they can be used as well as decorative.
Angela welcomes commissions for commemorative pieces to unusual one offs.
There is a small showroom at Milland Pottery where pots are on permanent display.
Each November Angela co-hosts a Contemporary Craft Exhibition and Sale at Milland Village Hall.
British Tapestry Group Member | City and Guild Creative Textiles |
City and Guilds adult education teaching | City and Guilds Counselling Skills.
I am a qualified adult education tutor teaching various textile
techniques. I specialise in weaving both rugs and wall hangings.
I also run The Loom Exchange which buys and sells second hand
weaving and spinning equipment (www.theloomexchange.co.uk)
I am the author of "Painting with Yarns" a guide to weaving a sampler
of tapestry techniques.
I am an artist passionate about watercolour and how its unique qualities work to capture the beauty of the world we live in. My paintings are memories of places I know and love and the resulting image reflects my feelings and emotions about a place rather than identifying the subject itself.
Creating quality glass homeware collections and art pieces that will energize your style and
bring a striking focus to your living spaces. I work from The Maker’s Guild in Portsmouth, Hampshire.
This is a collective of makers and inventors in an open workshop area based in Portsmouth Guildhall.
I offer a wide choice of bold colourways across my range of art glass.
I take my inspiration from wildlife especially birds along with my travel adventures. This is
expressed in my glass design through imagery, colours and textures.
Developing new skills and experimenting with the glass is an exciting part of my progress so you can
expect ongoing new and original designs.
After gaining a BA (hons) in Textiles (embroidery) at Loughborough College of Art and Design
I went on to study as an art teacher. My own creative work has always kept bubbling along in the
background. I now enjoy spending most days in the studio and encourage others to explore their creativity
in workshops and art classes.
My subject matter includes figurative and landscape pieces. There is often a narrative in the piece,
a connection to a memory, or a feeling of nostalgia that connects on an emotional level through shape and colour.
I enjoy capturing the light, the colours, textures and the feeling of being outdoors surrounded
by nature. I love to pay attention to the sounds, the details and shapes, the surprises and discoveries found
in the countryside or other subject matter. This could be standing on the cliffs by the sea or on a regular
walk with the dog on the edge of the city where I live, finding glimpses of wildness where nature isn't tamed.
I work in acrylics, exploring details and surfaces. My process begins playfully, laying down colours and
textures on to which the composition develops. Each piece evolves as I explore the subject matter and
enjoy the discoveries. Paint is layered, sanded, scratched into and finally glazed and surfaced with a wax finish.
My paintings incorporate my main passions which are the personal space of gardens, nature and the wider landscape and my interest and curiosity about people and their emotions. The 'Positive Emotions' series is an exploration of affirmative and optimistic feelings. Paintings which suggest elements of pleasure, awe and wonder and creating a painterly 'world' of hopefulness. The landscape paintings are bold, expressive and semi-abstract with strong shapes and patterns which reflect elements found in the 'outdoors'. I love the flowing arrangements and repetitions of the patchwork of fields found in the countryside with the contrasting small detail of organic pods, stones and seeds found right under your feet or close to hand in the garden. I am inspired by the changing seasons and work hard to develop art that conveys this beauty and delight. I create figure sculptures inspired by the everyday where each figure has its own unique character, identity and personality. Often thoughtful, spiritual or just reflecting on a moment in life. Figures are coloured with underglaze which is layered and textured. I create figure sculptures where each has its own unique character and personality.
When my youngest child began nursery school I enrolled at Wimbledon School of Art and graduated with a BA (Hons)
Painting and a MA Drawing. In 2002 I moved with my family to Bosham in West Sussex.
Everyday snapshots of parents and children, groups of friends, weddings, picnics or the family dog have long
been a major source of inspiration. I am particularly drawn to 'lost' photos; those serendipitous and poignant
discoveries found in car boot sales and vintage shops.
Exploring my fascination with these photographic fragments, my work has become more experimental, blending diverse
methods and materials. At times, I embed vintage or hand-printed collage papers into my process alongside oil or
acrylic paint, wax, inks, and drawing media. My process often involves a layered approach, where I build up
textures and then sand or dissolve them back, revealing a palimpsest that echoes lost narratives and elusive meanings.
My work at the moment is strongly influenced by objects and
places that mean a lot to me. Having spent many years
teaching art and design to young people the latest work revisits
still life. This was often a go to starting point in the classroom.
Shapes, colours and textures are re-imagined into designs for
fabrics.
Ideas start as small paintings or paper prints. These are
collaged digitally into designs specifically for scarves and
cushions. The beauty of this printing process is the nuances of
colour can be picked up giving the fabrics a very painterly feel.
Occasionally a small detail will be extracted again and used in
a very different context, possibly a repeat print. On some
designs I draw a free line that weaves its way across the
surface.
I graduated from Portsmouth College of Art & Design in the sixties and spent thirty years teaching Art & Design
in Portsmouth Schools.
I was Head of the Art & Design Department at Portsmouth College for 13 years. I have always been a practising
sculptor and since retirement
have been fulltime. I have sat on the Board of the Hampshire Sculpture Trust for the last twenty years.
I am able to work in a range of materials but my greatest enjoyment is working with stoneware clay; I like it
for its immediacy, flexibility
and versatility: it is able to be shaped and refined through all its stages of drying before final firing and
glazing and further more I am
able to produce forms in a variety of sizes .
Pieces develop organically from observation of form, attitude and movement in the natural world often taking the
shape of stylised birds.
I also enjoy the challenge of commissioned work and meeting the needs of the client.
Lucille Scott is an artist blacksmith creating hand forged metal items inspired by nature and her love for dance and music. She loves the fluidity of
metal when hot and how this can be frozen in time. For Lucille the appeal of working with iron lies in the traditional role of blacksmiths, the
permanence of their work and passing on this tradition to all around her. As a child, Lucille spent many a happy hour watching a blacksmith at
work, in her 20s he offered an apprenticeship but having just completed a BEd in Design and Technology at Goldsmiths College she decided to follow
the path of teaching. After 16 years in education her love of blacksmithing was rekindled prompting her to do some training at Hereford College of
Technology and set up her own workshop, "Little duck Forge" in Eastney, Portsmouth.
Lucille spends a good proportion of her time teaching in the forge, some of it just fun days out for whoever wants to have a go, some designed to
foster a love of making in the next generation. She can be seen demonstrating using her kitchen sink hearth powered with a plastic bag at local museums,
fairs and garden shows.
Her work is constantly developing, 2015 saw the launch of Earth, Water and Fire, a collection of work using materials born of the earth, inspired by
the sea and made in collaboration with other artists using crafts that are fused together by the searing strength of heat.
Diverse work exploring the boundary between paint and print. Working with colour and texture to explore conflicting planes and balancing abstraction with realism. Her work is a journey, using any medium and tool to make marks. Each piece is rich in layers of colour, texture and structure so that the more you look into it, the more it reveals.
Alan studied art in the 60s and has earned his living by art and sculpture ever since. In his sculptures he seeks to capture the character and the fleeting moment of movement of his subject, whether it be a moon gazing hare or a duck in wellington boots.
Carolyn specializes in silk scarves, hand woven in complex patterns. Chinese silk yarn is bought in the undyed state and dyed by her to the colours desired for the next piece to be woven. Carolyn achieves her colours with both synthetic and natural dyes. Design Inspiration comes from the natural world.
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